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The Art of the Grant

How to Get Arts Council Funding to Finish Your Book
Guest blog by Sandra Jensen

How to Get Arts Council Funding to Finish Your Book
Guest blog by Sandra Jensen

I am a writer. I am a writer with a chronic illness: M.E./ Chronic Fatigue Syndrome being but two of the names doctors use. I’ve had this for over 25 years, with increasing debilitation. Writing has, in a way, saved my life, giving me a sense of purpose in what is for the most part a very limited existence. I’m just grateful I never had a dream to be a Wimbledon champion!

‘I credit this success largely to two things: practice, and excellent assistance.’

Nevertheless, there are many impediments to writing with a chronic illness: having enough well hours to put in the work on a manuscript, the despair that accompanies a bad stretch, and, to be honest, financial scarcity. When I heard my recent application for an Arts Council England Project Grant was successful, it was an enormous boost. I can now focus on writing rather than how to bring in an income. The grant will pay me a living wage for my writing time, cover professional editing expenses and allow me to share my journey here, with you, via four blogs, two podcasts and a webinar. Most of all, I’ll be able to finish my novel, Seagull Pie. This is a comic coming-of-age story about a 13-year-old girl who wishes her family were the Waltons and her boyfriend Alexander the Great. Instead, her father is dead, her mother is a welder, her older brother makes bombs and her grandmother is waiting for the Ding Dongs to arrive in a “rocketship”.  It is largely based on my own chaotic childhood experiences…

This is my second successful application to ACE, and I credit this success largely to two things: practice, and excellent assistance.

I have made a number of literature grant applications. I’m a Canadian Citizen and am eligible to apply to the Canada Council for the Arts. I lived in Ireland for a number of years, and applied there. In both cases, my initial applications were not successful, but I kept at it until they were. I learned what each organization was looking for, and I also realised that even if an application wasn’t successful, the (often eye-watering lengthy) process was useful creatively: writing a synopsis of a novel or a short story collection is never easy and in doing so, over and over, I discovered aspects, negative and positive, about my project I might have overlooked if I hadn’t made the application in the first place. And, if I had to submit my manuscript with the application, that always inspired me to give it a bit more work.

When I returned to the UK in 2013, I decided to make an application to ACE. The process seemed daunting and complex when compared to the (then) process for Canada and Ireland. And, a few people said without a published book, the likelihood of me being successful was slim at best. I almost decided not to bother – especially given the severe brain fog that is one of my frequent symptoms. It felt as if I’d needed a PhD in the art of grant applications!

But I don’t give up easily. I believed that all I needed was help. The right kind of help. With a bit of online searching I discovered that a number of unpublished writers did in fact receive ACE grants, and many of them were Norwich based. So I approached what was then called the Writers’ Centre Norwich (now National Centre for Writing), one of many regional literature development agencies in England. I was lucky enough to be put in touch with Sam Ruddock, who was at the time Programme Manager for the Centre.

His review of my application was detailed and extraordinarily insightful. He gave me specific suggestions, which I implemented, and after another review with him I sent it off, and was successful. Of course I sought Sam’s help again for this recent application. Since 2013, ACE has implemented a new application process using online software that has its drawbacks so it was extra helpful to have Sam’s encouragement as I went through the process.

For all my grant applications I’ve sought help: preferably from someone familiar with making such applications, but at the very least from someone who understands the creative process and who has a good eye for language. Clarity and confidence are, I believe, critical. It’s not always obvious to me if I’m failing in either area, particularly self-confidence. Essentially you are selling your work, and yourself, so coming across as uncertain isn’t a good idea! I’m also blessed to have a friend who has proofreading experience. She’s caught all my typos and weird sentence constructions.

‘Don’t let yourself be put off by the application process.’

As I have a chronic and unpredictable illness, the open deadlines for the ACE Project Grant are great. I became bed-bound shortly after starting this recent application. It was some time before I could return to it, so I was grateful not to have the extra pressure of a deadline. ACE also offers access costs for the application process – they want to ensure anyone can apply, so if you have a disability that precludes you from using the online system, or another health condition or disability that makes it difficult for you to apply on your own, they will pay for someone to help you.

ACE has a number of guidance sheets and will also answer any questions that come up. If you are not successful, they will offer some feedback on why. Sometimes an application is very good, but there simply are too many very good applications and not enough funding.

I would say five things are vital when making a grant application:

  • Don’t let a lack of self-confidence in your work or yourself stop you from applying
  • Don’t let yourself be put off by the application process
  • Give yourself plenty of time
  • Find someone to help you
  • And, most importantly, don’t give up if you aren’t successful!

Sandra Jensen’s work has been published in a number of literary magazines and journals; her awards include winning the 2019 Bridport Prize for a first novel.

She was a guest writer and panelist at the International Conference on the Short Story and a workshop leader at The Galle Literary Festival, Sri Lanka. She’s received writing and travel grants from the Canada Council for the Arts, the Arts Council of Ireland and Arts Council England. You can find out more about her at www.sandrajensen.net.

This is the first in a series of blogs that Sandra Jensen will write for Your Writing Launchpad over the next year. We will also be co-hosting a webinar in 2021.

If you would like help in accessing funds to support your writing, you can find out more about how Your Writing Launchpad can help you here.

3 replies on “The Art of the Grant”

Great post! Congrats for the grant, that sounds like a huge relief and support. I wish we had something similar in Germany. Your post encourages me to check out the few that are available and possibly dare the frightening business of filling out the forms (my brain tends to instantly freeze when I put it in front of a form but I understand from your post that it can be done in the most difficult of circumstances, so no excuses left.) Thank you, Sandra!

Liked by 1 person

Hello Gabriele and thank you for reading. I wish I knew more about funding in Germany or could speak better than my bad GCSE German to research! But I would be happy to help guide you to completing an application if that would help. Good luck! Sam

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